• So, Line of Duty has been recommissioned for a second series, having concluded with the suicide of Lennie James’ character DCI Tony Gates at the end of the five-parter. The Beeb’s honchos are pleased with viewing figures of between three and four million for the drama, and Jed Mercurio did a fine job in creating a cop show that veered away from the boring procedural cliches – homicide cops turning up at a murder scene etc – for a more realistic slant on modern policing and corruption.
|Arnott and Fleming. Pic: BBC|
The series had some tremendous twists, but the problem with stunning plot swerves is that the story then has to work bloody hard to make sense of them – and this is where Line of Duty went off the rails for me. Jackie’s murder was a gobsmacking moment, but was Gates’ appearance and framing for her murder fortuitous? Surely, it could not have been planned, so the killers, who were not that bright, suddenly improvised by setting up the detective? Gates’ suicide was another shocker, but somehow seemed a little false. After all, this was the great survivor, who insisted to the last that he wasn’t bent and loved his family.
And of course Dot’s emergence right at the end as the real supervillain was another stunner. So this suggests he knew of Tony’s secret affair with Jackie, and we were left to assume he somehow engineered his boss’s framing and downfall, though this was never explained. Arnott and Kate lying that Gates was pursuing the suspect when he was killed was ludicrous – there was a whole traffic jam of motorists behind who could have testified that that was not the case.
The Guardian has a good blog on the series, and they rightly point out that Line of Duty could have done with more episodes. And I also agree that it was more interesting when it was dealing with Tony’s corruption, before Jackie’s murder.
• Watch out for the forthcoming novel of Sebastian Bergman, on which BBC4’s recent two-parter from Sweden was based. I’ve been sent it by the excellent Shots ezine to review and I’m just about to start it. It’s written by a duo called (Michael) Hjorth (Hans) Rosenfeldt (the latter being the creator of The Bridge), and Rolf Lassgård was excellent as the police profiler tormented by the deaths of his wife and child in a tsunami.
• TV is absorbed with running, jumping, swimming and cycling at the moment, but there are one or two drama gems tucked in amid the London medal chases. Ruth Rendell’s Thirteen Steps Down comes to ITV1 on Wednesday, 1 August. Rendell seems to have less of a profile than she did 10 or 15 years ago, but she is still the queen of the disturbing psychological thriller. This two-parter, starring Luke Treadaway, Geraldine James and Elarica Gallacher, revolves around Max and the fantasies he has that steer him towards becoming a potential murderer. Preview coming next week.
• Finally, dreary Downton Abbey is up against Breaking Bad for best drama at this year’s Emmys. Breaking what? you may ask if you reside in Britain, owing to the criminal lack of airspace being given to this totally superb series in the UK. It’s better than Downton by miles, better than Mad Men, Homeland, Game of Thrones and Boardwalk Empire – all of whom are in the face-off for the gong. Channel 5 showed series one and two of BB, which stars Bryan Cranston as a chemistry teacher with cancer who decides to become a illegal drug manufacturer. In terms of visually superb storytelling, originality and fine acting, BB is way out in front. Coming soon – CrimeTimePreview’s national campaign to get Breaking Bad back on our screens. Or you could get the DVD… Follow @crimetimeprev