|Martin Shaw as Gently and Lee Ingleby as Bacchus. Pics: BBC|
Gently Northern Soul is the 90-minute story opening this new series.
BBC1: Sunday, 26 August, 8.30pm
Story: It’s 1968 and after a Northern soul dance night at a Newcastle dance hall, the daughter of a West Indian family, who had been at the event with a friend, is found dead on waste ground. A difficult case for Gently and Bacchus is made more challenging by the racist attitudes that were common at the time.
This is series five about the 1960s detective inspector nearing retirement. It’s the kind of series British TV chiefs love to make – basically, a period drama in a nice setting, Northumberland having been substituted for the less spectacular Norfolk of Alan Hunter’s novels.
|Sign of the times – Maggie O’Neill as Matilda|
For this series opener we’ve got a Northern soul dance night to jog memories, plus Harrington jackets, big hair, and Corsairs and Rovers on the streets. One less attractive piece of memorabilia from 1968 is the overt racism often seen at the time. ‘No blacks, no Irish, no dogs,’ as one landlady stipulates in her front window.
It is still shocking to be reminded how brazen and recent such views were, just as the 1968 Race Relations Act was about to become law, making it illegal to refuse housing, employment and services to anyone on the basis of race or national origins.
Martin Luther King and Enoch Powell
Racism is the powerful backdrop to this story, as a young black woman, Dolores, is found murdered on waste ground on the night after the Northern soul do at Newcastle’s Carlton dance hall. The crime exposes the nasty attitudes of the time, as shown in vicious notes through the door to Ambrose, Dolores’s West Indian dad and RAF veteran, and the hostility of others, including that landlady and the local ‘businessman’.
In the year of Martin Luther King’s assassination and Enoch Powell’s notorious rivers of blood speech, the glimmer of hope is that the mixed audience of young people enjoying the soul night don’t give a fig about the colour of their dance partners or their vinyl heroes.
When it turns out the dance’s DJ, who is related to the infamous Webster family, was dating Dolores, it seems Gently and Bacchus may have a motive because the lad’s father is against interracial relationships. But Bacchus also uncovers a culture of drugs and criminality behind the dances…
|Eamonn Walker as the victim’s dad, Ambrose|
Martin Shaw as Gently
Bacchus is meant to be headstrong, but is a hard character to like much. One minute he’s feeding a story to the local press that Dolores was a prostitute – because she was black and had money on her – the next, he is meant to be a figure of fun as he tries to learn soul dance steps so he can go undercover.
I was hoping Gently would chin him when he found out about Bacchus’s press leak, but happily one of the gangsters headbutts him instead.
All in all, this is a strong opening story, mixing harsh truths with the nostalgia. The setting and themes captivate, but Martin Shaw’s Gently is a bit distant, while Bacchus is plain annoying.