The Bridge 2 – the best show on TV

Martin Rohde (KIM BODNIA), Saga Norén (SOFIA HELIN), BBC4
Unbridgeable gap? In season two Martin and Saga have grown closer. Pics: BBC

As second series of The Bridge has now reached its shattering climax on BBC4, and fans of the drama flock to London to see its stars at Nordicana – the growing annual festival of Scandinavian crime/thriller screenings and panels with the actors and authors – now is a good moment to celebrate what made Saga and Martin’s latest outing so brilliant…

Confronting his past – Martin (right) visits Jens in prison

1 Saga and Martin

Series 2 pushed Saga and Martin into new areas and challenges. Watch dramas such as Midsomer and Lewis, and the characters never develop or grow. They just face a new chalk outline every week. In The Bridge, Martin struggled with the murder of his son by Jens, at the end of series one, through every episode. He also came to understand his Spock-like partner better, learning about her mistreatment as a child. And as Saga tried to have a ‘normal’ relationship with Jakob and had bust-ups with Rasmus in the office, we realised she did have emotions and could be hurt. The writer Hans Rosenfeldt says in a revealing blog on the BBC’s site, that the car and elevator scenes between Saga and Martin are his favourites to write, because that is when we get to learn a lot more about these two people. Sofia Helin and Kim Bodnia have great chemistry, and the combination of their acting and the fine writing are what make The Bridge so superior to most TV crime dramas.

2 Humour

And the car/elevator scenes have been a joy. Saga quizzing Martin about whether he was sleeping with Pernille was very funny. ‘You spend a lot of time with her and she’s always touching you…’ ‘– It’s been a long time…’ ‘How do you cope? You used to have sex with people all the time.’ There was also the hilarious scene in which Saga clocked the dead gigolo’s penis and commented on its smallness – ‘Women don’t fantasise about men with small penises.’ Perfect logic to the end, so to speak.

Hans (DAG MALMBERG), Saga Norén (SOFIA HELIN), Martin Rohde (KIM BODNIA), BBC4
Hans, Saga and Martin

3 The minor characters

There are no cardboard cutouts in The Bridge. Each character is fully fleshed out with some dramatic life. The sad end for Pernille, thwarted in her feelings for Martin, was given plenty of space in the final episode, which it deserved. But others, such as Martin’s wife Mette, were figures we came to know well. And of course Rasmus grew to be more than just the gofer he first appeared. Again, three cheers for the writing, which wove together such intricate but rich overlapping storylines.

4 Death in a cold climate

Scandinavian countries are often voted the most happy and contented in various bits of research. So it is nice to see they have a dark side, with splits in the fabric of their well-ordered way of life. And there’s the constant fascination of the simple otherness of the setting – the chilly gloom, Viktoria’s weird minimalist white house, the starkly beautiful Øresund Bridge, the odd colours they paint their Porsches and the suicidal, grey monolithic buildings of  Malmo and Copenhagen. The series must work wonders for the Caribbean tourist industry. Anyway, it’s a most atmospheric backdrop to these tales of alienation and subterfuge.

Viktoria, the human weapon

5 The plot was a gripper

Series one’s intrigue – with Jens as a super-evasive terrorist – stretched credibility at times, but series two was a shifting and fascinating story, with the twisted relationship of Oliver and Viktoria a great premise for the crimes. ‘You’ve no idea what I’ve done for you,’ Oliver said to his ice cold sister, sounding and looking like a crazed Nazi camp commandant. But despite all the bio-terrorism and killings, it was fitting that the heartbreaking finale should ultimately come down to Saga and Martin again. ‘You’re my only friend,’ she tells him. But sadly, not for long… (However, series three is being written, so the Swede and the Dane will be reunited somehow).

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