‘Shut up.’ – Sherlock Holmes
‘I didn’t say anyth- ‘ — Detective Inspector Lestrade
‘You were thinking. It’s annoying.’ — Sherlock Holmes
Benedict Cumberbatch, Martin Freeman, Una Stubbs, Rupert Graves, Mark Gatiss, Amanda Abbington
Identikit: The consulting detective updated to contemporary London.
Writers Steven Moffat and Mark Gatiss who, while working on Doctor Who, often talked about their love of Conan Doyle’s creation and of Basil Rathbone’s portrayal of him, finally decided they should do their own updated version. Seeing the 60-minute pilot, the Beeb liked it so much they ordered three 90-minute films, which meant the opener had to be re-shot. Despite BBC1 then scheduling the re-shot opener in July, the middle of TV’s dead season, Sherlock was a rip-roaring success. Moffat and Gatiss updated the world’s most famous sleuth with loving care, verve and great wit, evolving some of Arthur Conan Doyle’s best-loved tales in modern, thrilling adventures in contemporary London. It works so well because, by stripping away the Victorian fogs, frock coats and Hansom cabs, Holmes re-emerges as the exciting contemporary character he was when the stories first appeared. They were helped by the inspired pairing of Benedict Cumberbatch as a forbidding, high-functioning sociopathic Holmes, whom he plays as ‘dangerous and perverse’. Martin Freeman as the downbeat but caustic Dr Watson immediately clicked with Cumberbatch at the script read-throughs, creating a great blend of genius and exasperation. Una Stubbs is fun as Mrs Hudson, while Andrew Scott was weird and chilling as Moriarty. This arch villain featured in the terrific Reichenbach Fall cliffhanger that concluded the second series, prompting a viral swirl online as devotees tried to work out how Sherlock was going to survive. It was typical of the twists and jolts that Moffat and Gatiss enjoyed throwing at audiences throughout. Series three got off to a messy start, obsessed with
taunting viewers with the resolution of the Reichenbach cliffhanger, before progressing magnificently in the second and third instalments. It raised the stakes for the characters with revelations such as Sherlock getting a girlfriend, Watson getting a wife, Watson’s wife Mary Morstan being an assassin, Sherlock being shot, and Sherlock killing the evil Magnusson at the end (Sherlockian intellect for once giving way to bullets). It’s a twisting, spirited and funny joyride. And through it all, there is David Arnold and Michael Price’s distinctive music soundtrack.
Classic episode: A Scandal in Belgravia. The Reichenbach Fall got chins wagging over how Sherlock faked his spectacular death fall, but A Scandal in Belgravia was much more fun, as Holmes and Watson encounter naked dominatrix Irene Adler (Lara Pulver) in a quest for photos that compromised national security on her mobile. While Moffat’s storytelling (he wrote this one) can tie the plot in knots, this was still a fantastic blend of comedy and suspense, with plenty of cheek thrown in.
Watercooler fact: Matt Smith auditioned for the role of Watson. He was rejected for being ‘too barmy’, according to show runner Steven Moffat, who also oversees Doctor Who for the BBC. Soon after, Moffat cast Smith as the eleventh Doctor Who.