‘I’m hormonal and I’ve got a gun. Don’t mess with me.’ – Detective Lydia Adams
Michael Cudlitz, Shawn Hatosy, Regina King, Benjamin McKenzie, Tom Everett Scott, Lou Diamond Phillips, Lucy Liu
Identikit: A raw look at the lives of the people who police Los Angeles – their rivalries, the risks they take and the toll the job takes on them.
Wow, what a show. Character drama about the men and women of the LAPD who don’t just solve nasty crimes and deal with social problems on the street, but which also shows that there’s no easy or quiet way to do their job. The grainy vintage police shots used during the show’s opening credits give a flavour of the realistic aim of this captivating portrayal of the officers – some decent, some not – facing muggers, killers and rapists on the streets and in the alleys. Violence mixed with black humour gives a verité feel to a series that recalls the raw novels of former LA cop Joseph Wambaugh. The cast all look the part as the officers and detectives, a nice change from airbrushed mannequins that populate so many mainstream shows. Rookie Ben Sherman (Benjamin McKenzie) is an oddity in that he comes from a wealthy family and joined the LAPD in response to his experiencing as a child his mother being attacked by a drug dealer friend of his father’s. He is trained by the street-savvy veteran John Cooper (Michael Cudlitz), whose homosexuality is hidden from colleagues and is treated obliquely in the drama. Cooper questions whether Sherman has the making of a cop. And there’s detective Lydia Adams (Regina King), a black officer who grew up in the ‘hood and balances police work with living with her mother, and is one of the show’s strongest characters – in one great scene in series one she fights off gang-bangers invading her home in an attempt to kill a girl witness Lydia has taken in. The relationships are intricate and the protagonists flawed and believable. The acting is also passionate at times, such as the moment when Lydia realises at the hospital that her partner Russell (Tom Everett Scott) may not be on duty with her again after he recovers from a shooting – she bursts into tears in the corridor, a scene done in one take. The series, created by former NYPD Blue writer Ann Biderman, moved from NBC to cable network TNT, where, thankfully, it was censored less. A fifth season of what had become one of the finest, most gritty cop shows around aired in 2013. Sadly, that was the last season as viewing dropped to 1.8 million for its fifth series finale on TNT. Southland never had much of a showing in the UK, going out on More4, and was an underrated gem of a series in the US, but for those who caught it, the series was a compelling, unforgettable piece of high-impact drama.
Classic episode: In episode 7, Derailed, Chickie finally turns in her alcoholic partner, Dewey – who, despite his faults, she likes – because she realises he is becoming a dangerous liability. Dewey responds by speeding away in his patrol car with Chickie inside, eventually crashing. A great episode exposing the dilemmas the patrol cops face in their high-pressure work, along with Lydia’s shootout at her home.
Watercooler fact: Southland‘s gritty feel was enhanced by the use of actual and former gang members in the roles of LA gangsters