‘It’s hard to meet single woman on this job. You meet plenty of widows, but the timing just don’t seem right.’ – Det Stan Bolander
Richard Belzer, Clark Johnson, Yaphet Kotto, Kyle Secor, Andre Braugher, Melisso Leo, Daniel Baldwin, Ned Beatty, Jon Polito
Identikit: Police procedural delving into the work of a fictional version of Baltimore’s homicide detectives.
Before The Wire there was Homicide: Life on the Street, based on a non-fiction book by The Wire‘s creator, David Simon. A former Baltimore Sun reporter, Simon spent a year shadowing homicide cops and the resulting book was an unforgettable glimpse at the lives and work of detectives in that city – the slog of investigation, the tricks of the trade, the galling frustration of knowing whodunit but not being able to prove it. The TV series was an intelligent attempt to dramatise the book, and gave us a series that steered clear of stock characters and cop-show cliches. The cases ranged from the heinous to comic, such that involving the body of an old guy who turned out to still be alive. The cops bicker, ramble on, made bad-taste jokes. Filmed on 16mm handheld cameras on location in Baltimore, jump cutting scenes and with wonderfully natural performances from the likes of Richard Belzer, Ned Beatty and Melissa Leo, the series had a distinctive style, while the stories portrayed the camaraderie and occasionally the soul-sapping nature of the job. It included non-traditional elements of detective storytelling, such as unsolved cases and criminals escaping, and had more psychological depth and truth in it than all of the forensic fantasy shows that clog the networks these days.
Classic episode: Three Men and Adena (season 1, episode 5). Three characters – two detectives (Pembleton and Bayliss) and a suspect – in an interrogation room as the officers try to get a murder confession. Intimidation, bickering among the two cops, failure and how inscrutable the truth can be – masterful writing that won an Emmy for scriptwriter Tom Fontana.
Watercooler fact: Despite all its awards (Television Critics Association, Peabody) and critical acclaim, the seven seasons of Homicide always saw the series in a precarious position because of low ratings (it lagged behind the likes of Nash Bridges!). TV Guide called it the ‘Best Show You’re Not Watching’.