‘Oh, my gawd! Here it is Christmas Eve, and I’m gonna get shot in a moose suit.’ – Andy Renko
Daniel J Travanti, Veronica Hamel, Michael Conrad, Bruce Weitz, Joe Spano, Charles Haid, Michael Warren
Identikit: Chronicling lives of police officers at a station house in an unspecified US city, exploring their work at the front line of law enforcement and the subsequent conflicts with their private lives.
Creator Steven Bochco was king of the cop show during the 80s and 90s, and this series about the characters in a city police precinct was adored by a dedicated following. US magazine TV Guide once voted it best ever cop show, but today it looks a little polished and tame in comparison to more recent grit fests, such as The Shield or Southland. Unlike those recent cable network shows, which were free of network TV’s censorship and advertising demands, NBC’s Hill Street Blues was a little wholesome to contemporary eyes. But it was still a shift towards more realistic, multi-storylined drama, with handheld cameras, African-Americans among the main characters, slang dialogue, a backdrop of urban breakdown and social hardship, along with a attempt to show characters not always going by the book. Skilfully balancing human drama and a little humour, Hill Street Blues took us through a day at the station from roll-call to late-night sign-off, portraying the officers’ trauma and problems in dealing with prostitution, drug racketeers and killers. There was also a gallery of well-liked characters, from station Captain Frank Furillo and his legal adversary come romantic partner Joyce Davenport, to Detective Mike Belker (who bit those he arrested), SWAT squad Lieutenant Howard Hunter, toothpick-chewing Neal Washington and streetwise Sergeant Lucille Bates. It also gave us a great theme tune, the roll-call segment as an intro to each episode and many powerful stories. The series picked up eight Emmys in its first season (only surpassed by The West Wing), and American network TV wasn’t the same thereafter.
Classic episode: Grace Under Pressure (season 4) – Sergeant Phil Esterhaus (Michael Conrad) dies while making love to Grace Gardner (Barbara Babcock); Fay Furillo (Barbara Bosson) is arrested for prostitution by a rookie cop; and Sandy (Linda Hamilton), the girlfriend of Officer Coffey (Ed Marinaro), is raped.
Music: The series’ famous piano theme was written by Mike Post and was a hit on Billboard’s Hot 100.
Watercooler fact: Steve Bochco followed the huge success of Hill Street Blues by having a hand in creating LA Law, Hooperman, Doogie Howser, MD, NYPD Blue and Murder One – but also the misfiring Cop Rock, a police procedural that combined with Broadway singing and dancing. The series’ theme song, Under the Gun, was performed by Randy Newman and Mike Post was the show’s music supervisor, but the misguided venture was unanimously found guilty of being rubbish by a jury critics and became infamous as one of the mega-flops of the 1990s.