Heartman and Callan reboot in development for TV

Leicester author MP Wright sees his debut novel Heartman turned into new BBC1 series and is asked to script a modern update of 70s classic Callan.

Heartman HiRes CMYKYOU MAY not have heard of MP Wright, but in coming months you probably will. His first novel, Heartman, has just been released to acclaim from reviewers and is nominated for four Crime Writers’ Association awards. It’s a compelling tale about a Barbadian ex-policeman in 1960s Bristol and has created such a stir that it’s been snapped up by World Productions and has made a very busy man of Wright, 50, a former mental health and probation service worker.

Heartman is now in the hands of award-winning playwright and TV dramatist Tony Marchant, who was responsible for the excellent Garrow’s Law, and could be before the cameras before the end of the year, with a slot on BBC1 at the ready.

It’s a fascinating mystery focusing on JT Ellington, who has fled his home in the Caribbean after his life was ruined in a struggle against a powerful drug baron and corrupt police bosses. He winds up in Bristol, broke during a freezing 1965 winter, when he is approached by a rich Jamaican businessman in the city and asked to find a missing girl. This takes Ellington, an outsider in a hostile world of prejudice, into a dark conspiracy among the town’s elite. The TV project is rumoured to be attracting the attention of some major actors keen to get on board.

Further Heartman episodes planned

‘World Productions optioned Heartman before I had a book deal,’ the author tells me. ‘Producers, Simon Heath and Jake Lushington were eager to get the tone right and have worked tirelessly to bring in a great team. Our script is written by BAFTA
award-winning dramatist and playwright Tony Marchant, and we have a BBC 1 slot for the drama to be shown in two parts. World will be working on the other Ellington books – All Through The Night, The Restless Coffins and The Rivers Of Blood.’

Edward Woodward as Callan

Edward Woodward as Callan

As if working on writing and editing the proofs for all these stories, Mark Wright’s whirlwind success has also seen him offered another exciting opportunity – to develop a modern version of Callan, ITV’s gritty early 70s series about a government hitman played by Edward Woodward.

‘Last autumn I was approached by the James Mitchell estate [creator of When The Boat Comes In and Callan],’ Mark explains. ‘I have been asked to reboot Callan and I’m currently working on a pilot script called One Shot, One Kill, which will bring the self-hating, bolshy, British government assassin back out of the shadows.

‘All the series regulars are set to return – Hunter/Charlie, Toby Meres, Snell and of course, Lonely. All brought to life in a contemporary and gritty setting. It’s a challenge but its looking good, if I say so myself.’

CrimeTimePreview will post a full interview with MP Wright about these new series this weekend…

Murder in Successville, BBC3, coming soon

Murder in Successville - TX: n/a - Episode: Dr Death (No. 5): Kimberley Wyatt

Kimberly Wyatt in episode 5

The crime genre is about to get roughed up by BBC3’s new and barmy comedy six-parter Murder in Successville. It’s described as ‘genre-busting’, but is it side-splitting? Well, here’s the premise. Successville is a town populated by celebs, where there a lot of murders. Mary Berry runs the local strip club, ‘Soggy Bottoms’, and Gordon Ramsay is chief of police. Each week a celebrity – Dermot O’Leary, Deborah Meaden, Jamie Laing, Greg James, Kimberly Wyatt and Louis Smith – is enlisted to solve a killing. I’ve seen the first episode featuring Jamie Laing, which will probably go out on Monday, 27 April, and it didn’t split my sides. Jamie Laing, of Made in Chelsea ‘fame’, is like a giggling rabbit in the headlights, but Tom Davis as Detective Inspector Sleet is very good – silly, rude and terrific at putting our celebs on the spot. Here’s a taster…

Vera, series 5, ITV, Brenda Blethyn

BRENDA BLETHYN as  DCI Vera Stanhope and KENNY DOUGHTY as DS Aiden Healy.

Vera (Brenda Blethyn) and new deputy DS Healy (Kenny Doughty)

 

Vera is back, with a new sergeant in tow, Aiden Healy, who has his work cut out earning his boss’s respect

★★★ ITV, starts Sunday, 5 April, 8pm

VERA HAS since 2011 become a solid performer for ITV. It does not earn the plaudits or fuss in the papers of series such as Broadchurch or The Fall, but its beautiful setting and popular lead star in Brenda Blethyn has made it a mainstream success.

Changing Tides is the first of four new two-hour mysteries in this fifth season (the sixth starts shooting in June).

DCI Stanhope is investigating a suspicious fire that has destroyed three caravans at a holiday park, killing a woman. The park owner, Jim Viner, suspects the dead woman is his sister, Deena, though he has no idea why she was at the park and not at home.

Ann Cleeves’ novels

Anyone who enjoyed the previous four series of Vera will go for this latest series. It’s pretty much more of the same, but with Kenny Doughty joining the cast as Vera’s new surrogate son, DS Aiden Healy, replacing David Leon’s Jose Ashworth.

This is a like-for-like cast change, maintaining Vera’s grumpy mentor dynamic with a young male deputy. Clearly, the show’s producers don’t want to mess with the series’ formula.

BRENDA BLETHYN as  DCI Vera Stanhope, KENNY DOUGHTY as DS Aiden Riley,WAYNE FOSKETT as Jim Viner and KATHERINE ROSE MORLEY as Claire Viner

Vera and Aiden begin their investigation

With Ann Cleeves’ popular series of novels, ITV have done what producers often do with successful crime heroes/heroines and ignored much of the interesting character material to focus on plot plot plot. The first half hour of Changing Tides is the traditional opening of detective and sidekick turning up at a crime scene and quizzing witnesses and the pathologist. Without a murder, these characters couldn’t function.

Vera v The Good Wife

In the novels Vera has more depth, a lonely woman haunted by her childhood who can empathise with victims and who is very good at the job she relies to give her life meaning. The TV series glosses over most of this to focus on whodunit, much as ITV’s lacklustre adaptations of the Rebus novels did as well – another compelling character on the page turned into a plot chaser.

Standard ITV dramas such as Vera, Midsomer Murders, Lewis and DCI Banks are stuck in that 1980s police procedural mould. In contrast, top US dramas such as The Good Wife have mastered the multi-stranded narrative with sharp characterisation. Every episode about Alicia Florrick combines a terrific weekly plot with interesting protagonists.

The writing, acting and production values on Vera are very good, but the stories never linger with you beyond the final credits.

%d bloggers like this: