Accused — Killer TV No.33


Stephen Graham and Sean Bean – Tracie’s Story

BBC1, 2010-2012

‘You’re the bitch. Right? Till you prove yourself in battle, till you return fire when under fire, you’re the bitch.’ Corporal Buckley (Frankie’s Story)

Anne-Marie Duff, Olivia Colman, Joe Dempsie, John Bishop, Warren Brown, Peter Capaldi, Mackenzie Crook, Juliet Stevenson, Christopher Eccleston, Marc Warren, Andy Serkis, Naomie Harris, Anna Maxwell Martin, Sean Bean, Stephen Graham

Identikit: As each week’s main character climbs into the dock, the events leading to their being accused and tried for a crime are revealed.

‘No police procedure, thanks very much, no coppers striding along corridors with coats flapping. Just crime and punishment – the two things that matter most in any crime drama’ – that’s how writer Jimmy McGovern described his anthology series. Each story features an ordinary person who ends up in the dock. How did they get there, and do they deserve to walk free or be locked up? The hook for McGovern is the ‘There but for the grace of God go I’ aspect to the lives of many working class people, the fine line between trying to do the right thing and ending up on the wrong side of the law. Such are McGovern’s credentials as the writer of powerful UK television dramas such as Cracker, Hillsborough and The Street that Accused pulled in the cream of British screen talent.

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Accused, new crime drama PREVIEW

Christopher Eccleston as Willy (pics: BBC)

BBC1, Mondays from 15 November, 9pm

Rating ★★★★

In Jimmy McGovern’s Accused there is no opening shot of a murder scene, no serial killers and no detective with regulation sidekick.

The stories in this series of six are crime dramas with the emphasis on drama, exploring how ordinary people end up in the dock. Are they guilty, innocent or victims of circumstance?

Christopher Eccleston, who became known via McGovern’s Cracker before appearing in other works by the writer, including Hillsborough, is light years from Doctor Who in this opening episode. He plays Willy, a plumber with a family who wants to clear off with his younger lover.

Pookie Quesnel, Marc Warren, Juliet Stevenson
Just as he’s about to drop his bombshell to his other half, Carmel, his daughter announces she is marrying her boyfriend. His marriage split delayed, Willy finds he can’t finance his daughter Laura’s wedding when his bank card is declined. The building firm that owes him thousands for his plumbing work has gone bust.

Later, in the back of a mini cab he finds the apparent answer to his problems – £20,000 in a Jiffy bag. Loyal Carmel, played movingly by Pookie Quesnel, wants him to hand it in, but despite his best intentions, events take a disastrous turn.

McGovern, a champion of excellent drama with successes such as The Lakes and recently The Street, steers clear away from the norms and cliches of your typical cop show. He says, ‘No police procedure, thanks very much, no coppers striding along corridors with coats flapping. Just crime and punishment – the two things that matter most in any crime drama.’

Future episodes will see Mackenzie Crook (right) as a corporal in a story about not obeying orders; Juliet Stevenson and Peter Capaldi as parents of a fatally injured son; Marc Warren as a dad who acts against his better judgment; and Naomie Harris and Warren Brown as parents whose row causes reckless actions.

Wants to leave his wife for ‘firmer flesh’

Willy’s Story is a good drama, though Willy, with his chippyness and selfishness, is not that sympathetic a protagonist. Eccleston describes him as a loving family man, but if that was the intention, somehow it didn’t come across in the execution.

Certainly, many women will be hard pushed to root for a man who impulsively wants to dump his wife because he fancies some ‘firmer flesh’, as Willy tells the priest who gives him unwanted advice.

But the point with McGovern is often about people in glass houses. And perhaps the strength of Willy’s Story lies in something revealed about this production by Eccleston.

When the actors’ read-through of the script was finished, a vote was taken among those present on whether Willy should go down. The vote was split.

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