Appropriate Adult — KIller TV No.43

DC Savage (Sylvestra La Touzel) with Leach (Emily Watson) and West (Dominic West). Pics: ITV

2011, ITV1

‘You’re helping me through the most terrible time. You’re my only friend.’ – Fred West
‘I’m not your friend, Fred.’ – Janet Leach
‘You are. We’re going on journey together, Janet.’ – Fred West
Dominic West, Emily Watson, Monica Dolan, Robert Glensiter
Identikit: The true story of how ordinary housewife and mother Janet Leach became the Appropriate Adult, or civilian counsellor, for one of Britain’s most notorious mass killers, Fred West, during his questioning by police.

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The crime genre – books and films – frequently and luridly dabbles in depictions of serial killers, but few if any capture some of the mundane and evil truth of such criminals as powerfully as this two-part ITV drama. Extraordinary, sensitive and chilling, it offers a glimpse into the depraved world of Gloucestershire murderer Fred West and his wife Rosemary. It was criticised as insensitive in some quarters, but it is nevertheless a serious and carefully produced mini-series revealing some of the reality behind a crime few people could comprehend. It is based on the true story of Janet Leach, a social worker who volunteered to act as an Appropriate Adult, a liaison to help and support juveniles or vulnerable adults in police custody. Her very first appointment is to assist a 52-year-old man. No sooner has she entered the police interview to sit alongside him than the man is describing how he strangled his own daughter, Heather. ‘Hadn’t wanted to hurt her,’ he explains. ’I was scared, so I was gonna put her in the Wendy house, but then I thought I’d put her in the dustbin…’ He matter-of-factly describes using an ice saw to cut off her legs and head. He is, of course, Fred West, and Janet Leach finds herself acting as a supporting shoulder for one of the most disgusting mass killers in British history. Emily Watson plays Janet with wide-eyed dismay, and watching her the audience cannot help wondering what a trauma she went through. Dominic West, a long way from The Wire here, is extraordinary as the West Country bumpkin who lies, wheedles and charms as easily as he breathes, and who is by turns maudlin and monstrous. ‘Time for a cuppa, I’d say, Hazel,’ he chirps to the detective questioning him. When a third thigh bone turns up in his garden, Fred says innocently to the same detective, DC Hazel Savage, ‘Don’t know where that came from.’ Janet is a woman who must go home to a partner and her children at night and somehow keep a lid on the nightmare she is exposed to at the police station, while also finding it difficult to stop listening to the unfolding horror story she hears as Fred’s confidante. This is an appalling burden for her, but at one point she talks him into telling the whole truth and he admits to a further eight, ‘all right, nine, killings’. It was a controversial production, as any dramatisation touching on victims of recent crimes will be (some police officers were particularly critical), but the portrayal was not sensational or leering at the Wests’ crimes. No horror or crimes were depicted, just a disturbing portrayal of horrendously dysfunctional people. Dominic West, Emily Watson and Monica Dolan, who played Rose West, all won Baftas for their performances.
Watercooler fact: This was the third of ITV’s major dramas exploring real crimes, following This Is Personal (2000, about the Yorkshire Ripper) and See No Evil (2006, the Moors Murders).

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Best Crime Dramas on British TV 2011

2011’s TV crimespree blew away the previous year’s good, but not overwhelming, caseload of crime dramas and thrillers. This selection is based on shows that had some heart and emotional depth, rather than the mainstream of whodunits and procedurals. But by all means, fire off your disagreements and preferences in the comments section at the end…
(Pics: BBC, ITV, C4, BSkyB, FX, 5USA)

Michael C Hall as Dexter

10 Dexter series 5 FX (UK)
This was probably Dexter’s best outing since series one. It began with our serial killer protagonist in crisis, with his wife, Rita, murdered and his baby son discovered in a pool of her blood, which eerily echoed Dexter’s own childhood trauma. The emotion-less Dexter is disconcerted, perhaps even moved a little, because by being with him, Rita – who thought she was ‘getting a real human being’ – has ended up butchered. The complications mounted for Dex, with his step-sister perplexed by his behaviour and his trying to deflect Lumen Pierce, whom he rescued from another serial killer, from seeking revenge. The conceit of novelist Jeff Lindsay’s creation – serial killer as hero – should not work, but the black humour, the pathos, the character’s deadpan voiceovers and Michael C Hall’s performance makes this an unmissable and original series.
Highlight: Dexter giving Rita’s family and kids the dreadful news that she’s been murdered – but being so disengaged that he forgets to take off his Mickey Mouse ears while doing so.

Jamie Bamber as DS Devlin


9 Law & Order: UK series 4 and 5 ITV1
L&O: UK is now such a staple for ITV1 that we’ve had two series of it this year. The spin-off from the original US series earns its place here for its consistently good and tightly packed one-hour dramas, which frequently end on an ambivalent note. The stories also cover tough subjects, crimes by children, a gun rampage or killings by negligent doctors, for instance. The fifth season saw Dominic Rowan and Peter Davison joined the legal side of the cast, while the compelling tales continued without let-up. Bradley Walsh and Jamie Bamber have been excellent as the chalk-and-cheese detective sergeants, though sadly it looks as though that partnership has come to an end. Lead writer Emilia di Girolamo injected plenty of emotional impact into the last series, and finished it with a stunning cliffhanger…
Highlight: has to be the finale of series five, when DS Matt Devlin was shot outside court.

Jason Isaacs as Jackson Brodie

8 Case Histories BBC1
Novelist Kate Atkinson is not solidly in the crime genre camp, and this hugely enjoyable series caught the narrative quirks, mystery and humour of her writing brilliantly. Jason Isaacs, in a sharp contrast to his American persona in the gangster series Brotherhood, was the engaging and vulnerable tough guy Jackson Brodie, who gets dragged into the world of the Land sisters by Sylvia Syms’s missing moggy. The sisters want Jackson to look into the fate of their missing sister, who vanished 30 years before. Edinburgh is the beautifully shot backdrop, and the cast, including Amanda Abbington as the tough cop with a soft spot for the wayward Jackson, was wonderful.
Highlight: any of Jackson’s scenes with his young daughter, Marlee (Millie Innes).

Janet Leach (Emily Watson) accompanies Fred West (Dominic West) to a murder site

7 Appropriate Adult ITV1
Dominic West showed what an accomplished star he is with this unexpected performance as the one-man horrorshow that was real-life serial killer Fred West. It was controversial, but still a haunting and unforgettable dramatisation from the award-winning team that revisited the Yorkshire Ripper and the Moors murders on the small screen. Confronting such revolting crimes in a drama is a way of attempting to gain modest perspective on them, but Appropriate Adult ultimately reinforced the feeling that such killers are beyond our understanding. Written by Neil McKay, the drama cleverly approached the horrendous story from an oblique angle, that of housewife Janet Leach, who was the required Appropriate Adult brought in to chaperone the apparently below-averagely intelligent West – a powerful performance by Emily Watson.
Unforgettable moment: Janet Leach’s uncomprehending expression as West tells detectives about his crimes.

Will Sully be a Top Boy?

6 Top Boy Channel 4
Channel 4 is not a top producer of crime dramas, but if it only makes one a year that is as potent as Top Boy then it will be worth waiting for. A four-parter that took a hard look at inner-city drug and gang culture, our escort into this world was 13-year-old Ra’Nell (Malcolm Kamulete), whose mother is hospitalised after a breakdown. The programme caught the pressure on young men such as Ra’Nell to ally themselves with gangs for status, but the price exacted by the likes of Dushane (Ashley Walters) and Sully (Kano) – both also desperate to be top boys, despite the huge risks – was unflinchingly shown.
Highlight: Raikes telling Dushane he has to give up Sully to the Feds. Reality bites…


5 The Field of Blood BBC1
Based on a Denise Mina novel, this was a gem of a drama that the Beeb seemed almost embarrassed to put out for some reason (10.15pm, Monday night?). But it got a lot of things right. The characters, particularly young Jayd Johnson as Glasgow newspaper ‘copyboy’ Paddy Meehan, were believable and sympathetic, and the 1980s were as sexist and rocking musically as many would have remembered them. David Morrissey played the bullying editor with a heart, and Peter Capaldi was excellent as the old hack. And the story of a young woman with ambitions beyond marriage and a crap job who sets out to discover the truth behind a child murder that has implicated her 10-year-old cousin was captivating. Someone should commission more dramas based on Mina’s novels.
Highlight: Paddy’s character-defining punch-up in the ladies with glamour-puss reporter Heather.

Steve Buscemi as Nucky

4 Boardwalk Empire series 1 & 2 Sky Atlantic
Few dramas have the scope and ambition of this HBO epic. From the mega-budget opening episode, it’s been an engrossing attempt to revisit an extraordinary period in American history. Steve Buscemi has been mesmerising as Enoch ‘Nucky’ Thompson, the brazenly corrupt treasurer of Atlantic City, whose policy is less Prohibition than anything goes. Melding real historical figures – politicians, government agents and gangsters such as Al Capone and Lucky Luciano – with the sweep of the jazz age backdrop has brought this age of political madness vividly to life. And it’s been extraordinary watching the performances of two Brits in the cast – Kelly Macdonald as Margaret, Nucky’s mistress, and Stephen Graham as Capone, who doesn’t look remotely Neapolitan but in every episode appears about to erupt like Vesuvius. It’s won a glut of awards, including eight Emmys, and will return for a third series.
Highlight: the whole of the opener directed by Martin Scorsese – a kaleidoscope of music, partying and corruption.

Timothy Olyphant as Raylan

3 Justified series 2 5USA
The second series may have had the edge over the terrific first series, with a strong story arc that saw gun-happy deputy US marshal Raylan Givens facing off with Dixie mafia boss Mags Bennett and her vile sons. The magic of the series, drawn from a character created by the crime writers’ crime writer, Elmore Leonard, is that the setting – a rural Kentucky mining town – is fresh and well depicted, with its clans and bonehead villains and good ol’ boys. However, while Mags (an Emmy-winning performance from Margo Martindale) may have been surrounded by boneheads in her clan, she was sadistic, menacing and well-mannered all at the same time. Timothy Olyphant was again laid-back and almost as cool as Paul Newman in the title role, while Natalie Zea as his on-off-on other half added glamour and attitude. Nick Searcy as Raylan’s put-upon boss, Art Mullen, gave the show heart and a lot of laughs. Series three will be racked and ready in 2012…
Highlight: the deadly confrontation between Raylan and Mags’s son, Coover.

Watch your back – The Shadow Line

2 The Shadow Line BBC1
In a strong year for conspiracy thrillers – Hidden, Exile, Page Eight – Hugo Blick’s The Shadow Line stands out. Great cast – Chiwetel Ejiofor, Christopher Eccleston, Stephen Rea, Rafe Spall, Kierston Wareing, Antony Sher – in a creepy and dark story featuring a trio of psychos to give you nightmares. Stephen Rea was unforgettable as the puppetmaster Gatehouse, Rafe Spall pulled off the best nut job since Ben Kingsley in Sexy Beast, and Freddie Fox simpered as the morally blank Ratallack. Kierston Wareing, who seemed to appear in just about every good crime show this year from The Runaway to Top Boy, was terrific as the sexy, acid-tongued detective sergeant Honey. Blick’s wordy scenes and extraordinary characters created a drama that was not realistic, but felt like a nightmare of foreboding. Midsomer Murders this was not.
Highlight: the moment when Gatehouse finally catches up with the mysterious Glickman, played by Antony Sher. What an amazing showdown.

Bloody business for Sarah Lund (Sofie Gråbøl)

1 The Killing series 1 BBC4

It has to be. There had been subtitled crime series around – the Swedish Wallander, for instance – but The Killing, tucked away on BBC4, took everyone by surprise, including the Beeb. It notched up more viewers than Mad Men, set blog comment boxes buzzing (CrimeTimePreview was inundated with feedback from adoring viewers), and showed that mainstream US and UK formats – murder, neat resolution by detective – often lacked any emotional impact at all. This 20-parter did not use the disappearance and murder of teenager Nanna Birk Larsen as a plot device to kick off a voyeuristic mystery, but explored the horrendous emotional shock of the crime on her family and on detective Sarah Lund. The show wasn’t perfect, being over-stretched with red-herrings, but its dark intrigue and whole-hearted performances from the unknown cast (in Britain, at least) – Sofie Gråbøl, Søren Malling, Lars Mikkelsen, Bjarne Henriksen, Ann Eleonora Jørgensen – made viewers fascinated with all things Danish and guaranteed a bunch of awards, including a Bafta and several CWA Crime Thiller Daggers.
Highlight: the way Sarah Lund’s initially frosty relationship with her blunt instrument of a colleague, Jan Meyer, evolves silently and without histrionics, so that when Meyer is murdered the moment is  shocking and sad.

Near misses
Single-Handed, Braquo, Spiral, Romanzo Criminale, Garrow’s Law, Exile, Mad Dogs, Martina Cole’s The Runaway, Sons of Anarchy
Way off-target
Ringers – dafter than a very daft thing. Silent Witness – gratuitous and voyeuristic.
Damp-squib send-off
Spooks – wiped out by ill-judged decision to schedule it against Downton Abbey. Deserved better.
Letdown of the year
Hidden – started really well, but final episode was such a disappointment.

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Appropriate Adult with Emily Watson and Dominic West ITV1 PREVIEW

Dominic West as Fred West. Pics: ITV

Rating ★★★★

ITV1 Sunday, 4 September, 9pm

Story: In 1994 Janet Leach, a mother of five from Gloucestershire, is at home making her children’s tea when the phone rings. Janet is on a course that, when completed, will enable her to train as a social worker. She is also on the list of ‘appropriate adults’, volunteers whom the police ask to sit in on interviews with vulnerable people to assist and safeguard their rights. The phone call is request to assist on her first case, that of 52-year-old Frederick Walter Stephen West…

Controversy has preceded this two-part dramatisation about Fred West, the depraved serial killer who is still vivid in memory, his arrest having occurred less than 20 years ago. His surviving daughter, Anne Marie Davis, in particular has condemned ITV1’s production.

Fred West hanged himself while on remand after being charged with 12 murders, his catalogue of crimes also including rape, abduction and child cruelty. Revisiting such events clearly reopens painful memories for all involved.


Executive producer Jeff Pope justifies making the two-part drama by asking, ‘Are there subjects that should never be tackled? My argument is that there have been many documentaries, newspaper articles and books that discuss what happened at Cromwell Street, and this is just as valid. Of course drama – to see something as if you are actually watching it happen – is far more powerful, so, rightly, there is a spotlight on what we are doing. But we do not glorify Fred or Rosemary West. There is no depiction of any violence.’ 

Emily Watson as Janet Leach
Pope is part of the award-winning team that has previously dramatised stories about the Yorkshire Ripper and Moors murders. Like those productions, Appropriate Adult does not depict the violence and horror of the crimes, but focuses on their repercussions.

Written by Neil McKay, it cleverly zooms in on the story of housewife Janet Leach, who was in line to train as a social worker and on the list of ‘appropriate adults’ to assist vulnerable adults and children in police custody. 

Emily Watson as Janet Leach
This is a brilliant way into the dauntingly awful events because Janet Leach is the viewers’ representative on screen. Excellently portrayed by double-Oscar nominee Emily Watson, the camera often focuses on her uncomprehending expression as Fred West denies or reveals his crimes to police.

One minute she is peeling potatoes at home, the next she is sitting next to a man she has never heard of as he describes strangling and dismembering his daughter, and wondering whether he should put her in the Wendy House or the bin.

Fred West’s disturbing manipulation
Dominic West is chilling as the affable monster Fred, a jovial bumpkin who says on being told police have found a thigh bone in his garden, ‘Can’t think how that got there.’

His self-serving manipulation knows no limits, as he appeals for sympathy as a loving patriarch, portrays himself as trying to help police and clear things up, and then to creepily try to manipulate the shocked Janet Leach.

As the appropriate adult, she has a bond of confidentiality with West, so while he hides some of his crimes from the police, he reveals them to Janet, unsettling her badly.

‘Do I know you from somewhere?’ he says to her at first, and a wave of dismay flashes across her face. Then later, ‘I know you’ve not always been loved and respected,’ and we get a flavour of the way he would worm his way into the confidence of his victims.

DC Hazel Savage (Sylvestra Le Touzel) with Leach and West

‘I don’t think I would like to play someone like West again’ 
It’s a stunning performance from Dominic West, here in a portrayal that could finally overwrite his reputation as McNulty in The Wire.

Filming it was difficult for the actor, who was thankful to be away from his wife and children during the shoot. He says, ‘Had they been around when I was filming, I don’t think I would have been so easily been able to act him. It was only possible in a finite, brief period away from home.

It was extraordinarily different to anything I have done before and I don’t think I would like to play someone like him again.’

Monica Dolan as Rosemary 
Equally disturbing is Rosemary West, the morally blank, foul-mouthed accomplice of her husband. Actress Monica Dolan dreaded researching her role when she was offered it. When her character sounds off about the inconvenience of the police searching her home or Janet Leach touching her belongings, once again incomprehension is the natural reaction.

This is a sobering film, but sensitively done. It has been painstakingly produced, based on detailed research and producer interviews with Janet Leach (Emily Watson also met her). It aims to tell something of the truth of a place no one wants to dwell.
 

Cast: Emily Watson Janet Leach, Dominic West Fred West, Robert Glenister Detective Superintendent John Bennett, Sylvestra Le Touzel Detective Constable Hazel Savage, Monica Dolan Rosemary West, Anthony Flanagan Mike, Sam Roukin Detective Constable Darren Law, Gerard Horan Howard Ogden, Seline Hizli Mae West, James McArdle Stephen West
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