|Digging the Dirk: MacDuff, Gently and Susan (Pics: BBC/ITV Studios)|
BBC Four, Thursday, 16 December, 9pm
It’s easy to have low expectations for a new comedy adaptation, particularly from as distinctive and cultish a writer as Douglas Adams, who can be deadened by a flat treatment (2005’s Hitchhiker’s Guide movie, anyone?). Nothing fails like a keenly awaited comedy that leaves your face resembling an Easter Island statue throughout.
Happily, the Beeb’s new Dirk Gently will have most viewers’ laughing gear moving in the right directions. It’s succinct at one-hour long, has a fine cast and is a good production all round, with a jaunty Sixties-tinged, crime-movie score.
Helen Baxendale and Stephen Mangan
Stephen Mangan as Dirk recaptures the oddball verve he showed in the excellent Green Wing. He’s the detective who thinks all evidence is interconnected, that ‘every particle in the universe affects every other particle’. Mangan switches easily between shifty and charmingly eccentric.
Helen Baxendale is attractive and fun as Susan, who feels Dirk’s holistic theories are ‘crap’. And Darren Boyd is suitably gormless and questioning as Susan’s boyfriend and Dirk’s sidekick, MacDuff.
Dirk is actually a mini-universe of chaos all on his own. He has a fridge delivered to his office because he is in a ‘cold-war stand-off’ with his cleaner, who has padlocked the one at home. He pays a schoolboy 200 cheap cigarettes to do a bit of computer hacking for him.
Douglas Adams’s far-out humour
Broke, manipulative and driving a 30-year-old yuk-brown Austin Princess, his first client is an old lady, Mrs Jordan (a wonderfully dithering and malevolent Doreen Mantle), who wants him to find her Henry – ‘He’s all I have.’
Henry, of course, is a cat, and the start of Dirk’s attempt to pull together seemingly incoherent pieces of evidence, including the factory that he and MacDuff escape from before it blows up and Susan’s ‘affair’ with missing ex-boyfriend Gordon.
There are some nice sight gags, but most of all Adams’s absurd, imaginative humour comes through nicely as the conventions of crime fiction are playfully tweaked (much credit should go to writer and Bafta-winner Howard Overman). Where Sherlock Holmes deduces, Dirk Gently reduces the universe’s chaos to a unified theory of guilt.