THE BBC has announced new dramas based on Agatha Christie’s books, including David Walliams starring in the six-parter Partners in Crime, a 1950s-set series based on the stories of married sleuths Tommy and Tuppence.
There will also be a three-part adaptation of And Then There Were None, the author’s most successful novel, which has shifted more than 100m copies.
Case closed for ITV’s Marple and Poirot
At the same time, ITV has said it has no more plans for Poirot (no surprise there, having just finished filming the whole oeuvre) or Marple.
The Beeb has probably been eyeing ITV’s success with Poirot and Marple for two decades, and have now seized the chance to get in there as the 125th anniversary of Christie’s birth approaches in 2015. Fingers are no doubt crossed that Tommy and Tuppence can soon stand tall next to the spinster and the Belgian.
|Crime-writing phenomenon Agatha Christie at work|
There was much talk from Ben Stephenson, BBC drama honcho, and BBC1 controller Charlotte Moore in last Thursday’s press announcement about ‘raising our game’ and drama output being more ambitious.
And what have they come up with? More costume dramas based on Agatha Christie’s books. And they’re bringing back Poldark. And they’re doing another version of Mapp and Lucia. And the dull Death in Paradise is returning yet again.
Costume drama fluff rules
Even with the inclusion of the cancer story starring Sheridan Smith, The C Word, and Lenny Henry’s dramatised memoir of his teenage years in Dudley, this hardly smacks of a bold new era for BBC drama.
It’s more like saying you’re going to going to raise the game of popular music by bringing out a K-Tel album of cover versions.
Had the BBC drama chiefs said they had had enough of vapid, chocolate-box costume dramas and were going for punchy modern stories, that would have been a much beefier story.
True Detective is a genuine game-raiser
My problem with most British costume yarns on telly is that they are nearly all twee, prettified versions of the past that rarely inform the drama or seriously reveal anything provocative or challenging about the period at all. The period is just window-dressing.
A drama that is raising the drama game and shows plenty of ambition is True Detective on Sky Atlantic. Of course, this powerful series starring Matthew McConaughey and Woody Harrelson may not suit a primetime audience, but until the BBC can resist the kneejerk lurch for corsets, trilbies and ‘classic’ adaptations, perhaps it should save the ‘raising our game’ speech for another day.