THIS may be sacrilege, but I prefer Endeavour to Morse.
I suspect much of Morse’s renown and popularity are down to John Thaw’s unforgettable portrayal of the gloomy detective, but the character never developed during all the years he was on air. This was par for the course during the series’ run in the late 80s and early 90s. But modern series that have story arcs – anything from The Fall to Broadchurch to True Detective – have shown how much richer series are that don’t stay on a loop of same characters, same investigations every week.
Endeavour, the 1960s-set prequel, has the advantage of showing Morse as he develops and changes, and writer/executive producer Russell Lewis has demonstrated his skill and empathy in taking Colin Dexter’s creation and fleshing him out cleverly. Each series combines the whodunit format with a story arc about the outsider detective, this latest series following his return to duty following the death of his father and his own brush with death after being shot, along with his romance with his neighbour, nurse Monica (Shvorne Marks).
Shaun Evans has been excellent casing as the too bright copper, and Roger Allam – as Thursday, who has his journey in this series – is a terrific co-star. The films from ITV are lovingly shot and have a fine period feel.
This complete collection of series 2’s four films – Trove, Nocturne, Sway and Neverland – also comes with a modest couple of added extras that should still delight fans. There’s a 10-minute feature called Creating Endeavour – The Next Chapter of Colin Dexter’s Legacy, and Spires, Ashtrays, Quads and Pastels, a short feature about the filming of the drama in Oxford.
RRP: £19.99, Certificate:12, Discs: 2, Running time: 360mins. Available on Amazon