Danmarks Radio/ Sveriges Television, series 1 2011; series 2 2013; series 3 2015
‘She’s Swedish, and the car came from Sweden. I assume I’m in charge.’ – Saga Norén
‘OK.’ – Martin Rohde
Sofia Helin (Saga Noren), Kim Bodnia (Martin Rohde), Dag Malmberg (Hans Pettersson), Lars Simonsen (Jens Hansen)
Identikit: Two detectives – one from Sweden, the other from Denmark – form an uneasy partnership when they must work together to investigate a murder scene right on the border between their two countries on the Oresund Bridge.
The series that gave us the unforgettable Saga Norén, the blonde Swedish detective who has a laser-focus in solving crimes, but all the emotional intelligence of a Vulcan. She seems to be on the autistic scale, so that her idea of chit-chat is to come out with non-sequiturs like this in mixed company: ‘I started my period today.’ Or to ask a man who smiles at her in a nightclub whether he wants to have sex back at her flat. When it comes to breaking the news to a victim’s husband that his wife is dead, Saga has all the delicacy of an elephant on a flowerbed. ‘How many ways are there to say it?’ she asks her boss when he tells her to tread carefully. Saga, with her Porsche and leather trousers, is locked in a captivating partnership with Danish counterpart Martin Rohde, a shambles of an unfaithful husband who operates a lot on instinct, as they try to track down an ingenious, bitter serial killer who has attacked victims from both sides of Oresund Bridge, linking Denmark and Sweden. The investigation begins when what appears to be the body of a female Swedish politician is discovered straddling the national borderline on the bridge. The perpetrator has managed to plunge the bridge into darkness and staged the murder scene, so clearly this is a killer with huge resourcefulness and cunning. In truth, the plot involving the ‘Truth Terrorist’ staging various outrageous crimes to highlight perceived social problems is far-fetched. But, as with the key to many brilliant dramas, it is the principal characters who pull the audience in. Sofia Helin and Kim Bodnia are two stars on a roll here, as characters who, despite their epic differences, slowly develop an off-key but somehow harmonious partnership. Across 10 episodes the tension builds slowly but remorselessly and with some stunning twists. And at the end, the killer is a lot closer to home than Saga and Martin – and the viewer – can ever have imagined. So highly regarded was the drama that the formula was immediately pinched by networks in the US and Britain/France, whose remakes are decent tributes, but certainly don’t outshine the original. Series two of the original came back, however, and developed the characters beautifully, with Martin struggling to come to terms with the murder of his son in series one, and Saga attempting to blend into normal society more – all against the backdrop of bio-terrorism crimes and incestuous lust among the rich. It ends with a heartbreaking cliffhanger and the two detectives divided and alone just when it seemed they were more bonded than ever. Sadly, Kim Bodnia did not appear in series three, and Thure Lindhardt stepped in as a new Danish partner, Henrik Sabroe. Next up for Bridge writer Hans Rosenfeldt is a thriller series for ITV called Marcella, starring Anna Friel.
Classic episode: The opener immediately and subtly establishes the character clash between Saga and Martin, while creating an eerie and perplexing mystery on the stunning Oresund Bridge. It is beautifully photographed, creating an alienating nightscape of highways, streets and the bridge.